Activist and Oscar-Nominated Actress Ruby Dee Dies at 91
Ruby Dee, the award-winning actress whose seven-decade career included triumphs on stage and screen, has died. She was 91. Dee died peacefully Wednesday at her New Rochelle, New York, home, according to her representative, Michael Livingston.
Dee — often with her late husband, Ossie Davis — was a formidable force in both the performing arts community and the civil rights movement. The couple were master and mistress of ceremonies at the 1963 March on Washingon, and she was friends with the Rev. Martin Luther King Jr. and Malcolm X. Dee received the Frederick Douglass Award in 1970 from the New York Urban League.
As an actress, her film credits included "The Jackie Robinson Story" (1950), "A Raisin in the Sun" (1961), "Buck and the Preacher" (1972), "Do the Right Thing" (1989) and "American Gangster" (2007). Dee earned an Oscar nomination for her performance in "Gangster." She won an Emmy and Grammy for other work.
Dee was born Ruby Ann Wallace in Cleveland, Ohio, in 1922, and moved to New York's Harlem as a child. She took the surname Dee after marrying blues singer Frankie Dee two decades later. She divorced Dee after a short marriage and was wedded to Davis in 1948. Davis preceded his wife in death in 2005.
Her acting career started in New York in the 1940s, first appearing onscreen in the 1946 musical "That Man of Mine." A role in "The Jackie Robinson Story" brought her national attention. Dee became known to a younger generation with roles in two Spike Lee films. She co-starred with Davis in Lee's "Do the Right Thing" and in his 1991 film "Jungle Fever."
Dee and Davis — the two, who were married 56 years, always seemed connected — were an odd couple in some ways: She from New York, he from Waycross, Georgia. She was small and stylish, he was big and bluff. But their beliefs were often as one, and they practiced what they preached.
Even before the appearances in Spike Lee movies made them famous faces again, Dee and Davis were always working, always pushing, whether it was producing a 1986 PBS special on King or creating a two-person show drawing on the work of African-American writer Zora Neale Hurston.